Showing posts with label Maggie Gyllenhaal. Show all posts
Showing posts with label Maggie Gyllenhaal. Show all posts

Monday, November 2, 2009

Away We Go

Away We Go is one of those movies that feels like it’s a studio movie masquerading as an independent film. More polished than a true indy – too rough to be Hollywood. Unfortunately, it falls into the trap of being a melancholy movie with an interesting soundtrack and not much else happening for the whole damn film -- except a lot of eloquent conversations that real people never have.

The film centers on a young, driftless couple who find themselves pregnant and in search of a place to call home. The movie follows them on a vast road trip where they audition cities in which to lay down roots. Along the way, we meet an amusing cast of characters who steal the show from the drab, chemistry-challenged leads, Maya Rudolph and John Krasinski [who plays Jim from The Office with a scruffier beard. What a marvel of costuming!]

That being said, Away we Go is enjoyable and is probably worth watching for Maggie Gyllenhaal’s insanely crunchy-granola-toddler-breastfeeding-hippie mama character alone. If you’ve ever encountered one of those family-bed fascists in your own life, you will squeal with delight at how pompous and self-righteous she is. "Do you plan to hide your lovemaking from your children?" she asks Maya Rudolph with an air of implied reproach when she questions how they all sleep in one bed together. Another notable cameo is Allison Janney who is just terrific as usual playing a loudmouthed, booze-soaked cougar. She’s dynamite. Go rent it, you’ll enjoy it.

Wednesday, July 23, 2008

The Dark Knight

Standing in a ridiculously long line to get into the theater to watch Dark Knight, we spotted a grown man wearing full Joker face make-up. Given that it was 95-degrees out, I imagine he spent the rest of his day scrubbing melted make-up out of his upholstery. At least he could console himself with the knowledge that it was TOTALLY WORTH RUINING HIS CAR. This is the kind of sacrifice Dark Knight inspires in its fans. It’s comic book film-making at its very best.

The cast? Phenomenal. Thank god they ditched Katie Holmes, whose former performance as Rachel Dawes feels like a kid playing dress-up compared to Maggie Gyllenhaal’s cool composure. And while Gyllenhaal still resembles the sad girl you knew in high school who was always inking angry poems on her forearms, there is something magnetic about her doe-eyed wistfulness. I wasn’t as impressed with Aaron Eckhart’s good-boy turn as Harvey Dent but to be fair, the Dent role was probably the most thin and one-dimensional of the entire cast.

But you don’t really care about Gyllenhaal and Eckhart do you? You want to know about Heath Ledger. His Joker was just as brilliant as you’ve heard. A complicated mix of leering sociopathy and charm. Possibly the greatest villain we’ve encountered since Anthony Hopkins’ Hannibal Lecter. I pity the person who will have to pick-up the helm from Ledger. Unless that person is Edward Norton in which case I will be totally psyched.

And while I’m still a little wary of Christian Bale and his muskrat teeth, he is winning me over as Batman. Although I did catch myself snickering here and there at the raspy, deep-voice he uses whenever he’s in the Batman costume. He’s Batman, not Marlboro Man, Bale.

Now onto director Christopher Nolan, who shall be heretofore known as “The Jesus Christ of Cinema.” I’ve said it before but if he directed me out of my driveway each morning, it would definitely win an Oscar. Nolan practically assaults the audience in Dark Knight with a non-stop barrage of violence, brutality and action. That level of action combined with the sub-stories of so many characters makes the film feel overloaded at times, but we were happy to be along for the ride.

Emerging from the theater back into daylight and reality, I felt dazed and wrung out, as if I’d ingested a gallon of Red Bull and crawled through an automatic car wash. But then I saw the nerd with white make-up dripping all over the carpet and I felt like all was right with the world again.

Wednesday, August 15, 2007

Week 10: Sherrybaby

Every time I pick up a copy of Us Weekly, there’s a photo inside of Jake and Maggie Gyllenhaal and her boyfriend, Peter Saaaaarsgaaard sitting at an outdoor cafĂ© looking very morose and sullen. They’re always dressed like dirty hoboes and look like three disaffected art school students whose parents won’t stop hassling them about getting a “real” degree. So they spend their days drinking coffee, smoking clove cigarettes and drawing on their forearms with black markers.

After seeing Sherrybaby last night, I finally get why these three are so bummed out at the world. It’s because Maggie was totally, one-hundred-percent robbed of an Academy Award for this performance.

This was a fantastic, gritty, uncomfortably real performance. As a former heroin addict trying to re-insert herself into her former life, Mags perfectly portrayed the ugly reality of post-addiction life.

And Maggie didn’t even have to wear a prosthetic nose or act like a mental retard to deliver a great performance. That’s right, Kidman, I went there. And, it should also be noted, Maggie Gyllenhaal is probably the only actress in Hollywood who hasn’t had a boob job. As you will see in many, many saggy bag scenes in this film. Good for you, Maggie. Way to fight the perky Man.

Maggie Gyllenhaal, I’m officially taking you off my creepy list. I’m still not convinced that you and your brother aren’t sleeping together, a la Meg and Jack White, but from this point forward, I’m willing to look the other way.

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