Showing posts with label Sean Penn. Show all posts
Showing posts with label Sean Penn. Show all posts

Monday, May 11, 2009

Milk

Well now, the American Dairy Association is going to be unpleasantly surprised when they watch this tribute film.

Tee, hee. All jokes aside, it's no surprise that Milk is a good film. It was nominated for a slew of awards and Sean Penn is obviously terrific in it. I'm pretty sure Sean Penn is terrific when he trims his toenails or pays his utility bills, so it's hard to be bowled over by his performances any more, right? It's like putting A-Rod up to bat. You're pretty safe to go get a hot dog because you know the team's in good hands.

It's easy to admire Penn's charismatic portrayal of the first openly gay public office holder, Harvey Milk. But did I love the movie itself? Love might be a strong word. It's really good, but it doesn't evolve beyond the trappings of a biopic, trying to cram so much history into so little film and make us understand the person's soul at the same time. The latter is where the movie really failed for me.

Maybe that's because the tableau of characters surround Harvey Milk felt stereotyped and trite, as if director Gus Van Sant threw them in because he needed them to be there, not because he really wanted to pay them any attention. Look at me, I'm the hysterically unpredictable foreign boyfriend! Look at me, I'm the wisecracking lesbian campaign manager!

I never found myself engaging with any of the supporting cast, with the exception of Josh Brolin, who absolutely seethes in every scene (as one would expect the stepson of Barbra Streisand to do very well, zing!). He's like a pile of twitching electrical cables just inches from a pool of water. Watching his character slowly unwind iis the real pleasure of watching Milk.

Wednesday, April 23, 2008

Week 43: Into the Wild

Years ago, hubby and I went on an impromptu camping trip deep in an Ohio state forest. We were young and poor and could only afford the tiniest of tents, which forced us to leave all our gear and food outside all night. Lucky for us, our poverty probably saved our lives as somewhere in the vicinity of 3am, a huge black bear paid us a visit, growled menacingly outside our tent and ate our food while we lay paralyzed by fear on the other side of a one-millimeter vinyl barrier.

That was, needless to say, the last time I went camping. These days, my idea of camping is staying at a Holiday Inn instead of a Hyatt. So you can imagine that watching Into the Wild left me feeling like a bit of a pansy. If you don't already know, Into the Wild is based on the true-life story of Chris McCandless, an upper-middle-class college graduate who decides to chuck all the trappings of his comfortable life in favor of traveling to Alaska to live off the land. And when I say chuck, I mean literally: burning his money, cutting up his social security card, giving his savings account to Oxfam.

It's a pretty noble gesture on one hand. I felt a little sad sitting in my suburban home while he's out petting bald eagles and kayaking on wild river rapids. On the other hand, as you watch Chris disappear off the radar and completely cut ties with his family without ever letting them know what he's doing and if he's alive or dead, I found myself hating him a little. The premise of his story is that Chris' parents had a very rocky and sometimes violent marriage that left him pretty scarred. Scarred enough to walk out of their lives without a trace. It comes across though as a little bit of a spoiled rich kid who doesn't have enough life experience to see that other people have a far worse situation than his own. But I digress.

Sean Penn directs the film and just as I would have guessed, he falls a little bit in love with his own ability to direct things. Like two hours and thirty minutes in love with himself. Much of the scenes in the movie are long with scenery and contemplation and short with action and dialogue. I guess Sean Penn wanted the viewer to get a true feeling of the loneliness and isolation Chris experienced in the wilderness all alone. Mission accomplished. We got the point though, Mr. Penn, after about a half hour. Beyond that, we started fast-forwarding here and there to move things along.

I can't stop thinking about whether or not to admire or loathe McCandless, which I suppose means the film was a succss at stirring up debate and making us question our own life choices. It's a riveting story and the scenery really is amazing to watch. Just keep your fast-forward button handy.

Monday, October 22, 2007

Week 20: Breach

A Letter to Sean Penn:
Dear Sean, how are you? Are you still all stressed out about the Iraq war? I know, buddy, it sucks, right? But I think you should consider focusing on something closer to home. Like, say, your career. Because I hate to be the bearer of bad news, but your title of “HIS GENERATION’S GREATEST ACTOR” has recently been stripped. Yes, I am sorry, but it is true. Chris Cooper just won it from you.

Now, now, un-furrow that ridiculously furrowed brow, Mr. Penn. Don’t put that cigarette out on my arm. And please do not strike out at me in a fit of violent rage a la your paparazzi attack of 1985. You are a good actor. Nay – great. Even though your legions of adoring critics seem to have forgotten that you are also the actor who starred as the baked surfer in Fast Times at Ridgemont High. And that you played a retarded person, badly, in I Am Sam. Notice I didn’t even mention that piece of crap with Michael Douglas, the Game. Hey, stop wincing Sean, it wasn’t that bad. What? You’re not wincing? That’s just how your face is. Oh.

I digress. You really did some great acting in some great films. But let’s be honest here. Chris Cooper is just astonishingly good. Have you seen Breach, Sean? Go rent it right now. He will knock your socks off. His portrayal of CIA spy Robert Hanssen is so beautifully tormented that you will actually find yourself feeling sympathy for our country’s most devastating spy.

I fell hard for the talents of Chris Cooper in Adaptation. God, he was brilliant. My sister-in-law Erin just reminded me that he outshined the put-on-your-sunglasses-shiny Meryl Streep in that film.

And remember him in American Beauty? In my humble opinion, his subtle acting stole the show from Kevin Spacey’s prissy performance. I even love him in the Bourne series, even though his role is boxy and trite. Still, he is so powerful on screen that he commands your attention in a way that is completely relatable. And for that we award him the title of HIS GENERATION’S GREATEST ACTOR.

Also…he was never married to Madonna.

So, there you have it, Sean. Again, I’m sorry to bring you this news, but it was necessary. If it helps you get through it, there is still a crisis in Darfur. And Pakistan has really been acting out for attention lately, if you know what I mean. And I think you do.

Later, Sean,
The Motley Queue

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